Fresh was written with memories of performing in high school marching band, and how thrilling and yet exhausting of an event it always was. I have recently been having many recollections of performing in the marching band, and in particular the powerful aspect of the drumline section. Therefore my memories of the dominant drumline motivated the idea of having the orchestra gradually take over the rhythm from the percussion section throughout the piece, to lead the strong percussion rhythm to hopefully new directions and always be “fresh.” Fresh is also dedicated to the New York Youth Symphony and Joshua Gersen, who gave the premiere in May 2015 at Carnegie Hall in New York, NY. The work was written in the summer of 2014 in New York, NY and Pittsburgh, PA. [Program Note by the composer]
Instrumentation:
2 Flutes
2 Oboes
2 Clarinets in Bb
2 Bassoons
2 Horns
2 Trumpets in C
Timpani
Percussion (snare drum, triangle)
Strings
Score Preview:
Click HERE
Composer and performer Molly Joyce’s music has been described as “serene power” (New York Times), written to “superb effect” (The Wire), and “impassioned” (The Washington Post). Her work is concerned with disability as a creative source. She has an impaired left hand from a previous car accident, and the primary vehicle in her pursuit is her electric vintage toy organ, an instrument she bought on eBay which suits her body and engages her disability on a compositional and performative level. Her debut full-length album, Breaking and Entering, featuring toy organ, voice, and electronic sampling of both sources was released in June 2020 on New Amsterdam Records, and has been praised by New Sounds as “a powerful response to something (namely, physical disability of any kind) that is still too often stigmatized, but that Joyce has used as a creative prompt.”
Her works have been commissioned and performed by ensembles including the New World, New York Youth, Pittsburgh, Albany, and Milwaukee Symphony Orchestras, as well as the New Juilliard, Decoda, and Contemporaneous ensembles. Additionally, she has written for publications 21CM and Disability Arts Online.
Her debut EP, Lean Back and Release, was released in January 2017 on New Amsterdam Records to much acclaim. Featuring violinists Monica Germino and Adrianna Mateo, the EP was praised as “energetic, heady and blisteringly emotive” by Paste Magazine and “arresting” by Textura. Additionally, Molly’s music has been included on solo albums from pianist Vicky Chow, cellist Nick Photinos, and vocalist Bec Plexus, all on New Amsterdam Records, Grand Valley State University New Music Ensemble on Innova Recordings, and on releases from percussionist Evan Chapman, pianist Brianna Matzke and violinist Hajnal Pivnick’s duo album On Behalf.
Past seasons have seen commissions and collaborations with Avi Avital, Barak Ballet, Present Music, The Riot Ensemble, Mike Truesdell, and VONK Ensemble, among others. Additionally, Molly is a recipient of ASCAP’s Leo Kaplan Award, as part of the Morton Gould Young Composer Awards, grants from New Music USA, Foundation for Contemporary Arts, Jerome Fund / American Composers Forum, Greater Pittsburgh Arts Council and residencies at AIR Krems an Der Donau, ArtCenter/ South Florida, De Link Tilburg, Embassy of Foreign Artists, Grace Farms, Headlands Center for the Arts, Villa Sträuli, Titanik, Swatch Art Peace Hotel, The Watermill Center, and Willapa Bay AiR.
Molly is a graduate of The Juilliard School (graduating with scholastic distinction), Royal Conservatory in The Hague (recipient of the Frank Huntington Beebe Fund Grant), Yale School of Music, and alumnus of the National YoungArts Foundation. She has studied with Samuel Adler, Martin Bresnick, Guus Janssen, David Lang, Hannah Lash, Missy Mazzoli, Martijn Padding, Christopher Theofanidis, and currently serves on the composition faculty at New York University Steinhardt. [Bio from the composer’s website]
Website: https://www.mollyjoyce.com/
Performance materials are available through Murphy Music Press: